Clients

I work with clients and collaborators on projects of all scales, from fully-staged creative performances to audience development strategies, films, design and workshops. A selection include:

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Leading a workshop at Snape Maltings for Britten Pears Arts for young artists on digital marketing and self-promotion.
Projection design for Britten Sinfonia to accompany a concert for schools, incorporating audience interaction and voting to determine the concert programme in real-time.
Co-commissioned by Cheltenham Music Festival and Spitalfields Music to create Vortices, an interactive digital installation which accompanied a performance of Laura Bowler’s Distance.
A behind-the-scenes promotional film about St John Passion, featuring interviews and rehearsal footage with John Butt and other Dunedin Consort artists.
English Folk Dance & Song Society: Filming and editing promotional materials for folk gigs held at Cecil Sharp House, including the Feminist Folk Club.
Freiburger Barockorchester: Leading a marketing and communications workshop for the orchestra’s Concerts for Future series, culminating in a concert held at Freiburg’s legendary Hans Bunte nightclub.
Gunnersbury Park & Museum: Creating family trails, digital activities and marketing materials for a Grade II* listed heritage park and museum serving 1 million visitors per year.
Hofesh Shechter Company: Strategic communications consultancy to review and improve this international dance company’s digital offer.
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London Sinfonietta: Project managing and producing a complex music-theatre double header. Staged at Southbank Centre, the project featured world premieres by Pablo Martinez and Sun Keting in collaboration with dancers, directors, set design and stage
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Musiva Viva Australia: Workshop panel member for Musica Viva Australia’s FutureMakers programme.
The National Trust: Consultancy exploring a pilot digital project for the Trust’s small properties, leading to a new partnership with an internationally-renowned media organisation.
Orchestras for All: Communications consultancy for a national music charity, developing a youth voice communications and advocacy strategy which has already seen digital traffic double and substantial new funding emerge.
Park Theatre: Shooting promotional photographs
Royal Holloway University of London: Advising undergraduate music students as part of Royal Holloway’s Re-orchestrating Society course programme.
Royal Philharmonic Society: Creative producer and designer for the RPS Awards since 2019, creating on-stage, online and printed presentation materials for ‘the BAFTAs of classical music’.
Sinfonia Smith Square: Creative Director of #ConcertLab, the orchestra’s pioneering, multidisciplinary and critically acclaimed concert series. See projects like The Night Sky, where a concert hall was turned into a planetarium, or The Orchestral For
Spitalfields Music: Creative Producer of the annual Spitalfields Music Festival since 2021, bringing classical music to remarkable venues and communities in East London. Commissioned to direct, film and edit Bach Rework’d - a performance-documentary
Stagecast: A variety of film projects, from interviews with guest artists and London Symphony Orchestra musicians for worldwide streams, to EPK materials for major record labels, to a behind-the-scenes documentary around a game soundtrack.
The Sixteen: Performance films of the choir working in the recording studio, including promotional use by Apple Music Classical.
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Young Voices Foundation: Building a communications strategy as the YV Foundation relaunched in early 2025, increasing the charity’s profile and generating donations.

Audience Feedback

  • “Audience involvement in this concert was like nothing I’d ever experienced. Initially mesmerized, we soon began to wander, enchanted by the unfolding music that seemed to guide our movement in the room. This engagement was bold and refreshing...”

    Stage to Page - The Orchestral Forest (4.5 Stars)

  • “The COOLEST concert this evening, don’t think I’ve ever enjoyed an orchestral concert that much. Fantastic concept - more please!!”

    Audience Member - The Sound Within

  • "The audience remains rapt throughout: there’s none of the usual throat-clearing and programme-turning of a conventional concert"

    The Reviews Hub - The Night Sky (5 Stars)

  • “It was completely absorbing and emotionally charged. In the same way that a soundtrack enhances film, the music was even more powerful because of the visuals"

    Audience Member - Atmospheres

  • “Absolutely blown away. An unexpected evening, captivating storytelling, bite-sized classical music - totally magical.”

    Audience Member - The Listening Post